Quezal glass occupies a unique niche in the world of early American art glass—distinct, luxurious, and often mistaken for its more famous counterpart, Tiffany. Created in the early 20th century, Quezal pieces are prized by collectors for their iridescence, technical execution, and unmistakable beauty. But despite its quality, the name remains under the radar for many casual collectors.
Quezal glass has long existed in the shadow of Tiffany and Steuben—but for collectors in the know, that’s part of the appeal. Created during the early 20th century by highly skilled artisans, Quezal pieces often rival their more famous counterparts in beauty, craftsmanship, and rarity.
Quezal glass might not be the first name that comes to mind when you think of American art glass, but for collectors who know what to look for, it’s one of the most underrated names in the market. As of 2025, Quezal’s value continues to gain traction—especially among those seeking Tiffany-era craftsmanship without the six-figure price tag.
Bridget Riley’s work isn’t just art—it’s optical architecture. Since the early 1960s, her geometric compositions and rhythmic color fields have challenged perception, redefined abstraction, and anchored her as one of the leading figures in postwar British art. Today, her work remains both critically revered and actively collected.
Bridget Riley’s body of work has remained consistently relevant since the 1960s, and her market in 2025 reflects continued interest from institutions, collectors, and dealers alike. Whether it’s a painting, gouache study, or limited-edition print, Riley’s pieces hold steady value with notable upward movement in specific categories.
Bridget Riley has been an established presence in the art world since the 1960s. Her methodical approach to pattern, rhythm, and spatial tension helped define a key chapter in postwar abstraction. In today’s market, her work remains in demand, with sustained interest from private collectors, institutions, and galleries alike.
